inthenoosphere:

“I think most people realise that for all its complexity contemporary society is an artificial construct that can be moved offstage at a moment’s notice, as people find at times of war, as I found during the Second World War as a child in Shanghai. You know, reality is just a stage set that can be pushed aside, and a very different set of rules can then apply.”

— J. G. Ballard

kazu721010:
“Loft with Brick Walls / 2B Group
Photos © Andrey Bezuglov, Yevhenii Avramenko
” kazu721010:
“Loft with Brick Walls / 2B Group
Photos © Andrey Bezuglov, Yevhenii Avramenko
” kazu721010:
“Loft with Brick Walls / 2B Group
Photos © Andrey Bezuglov, Yevhenii Avramenko
” kazu721010:
“Loft with Brick Walls / 2B Group
Photos © Andrey Bezuglov, Yevhenii Avramenko
” kazu721010:
“Loft with Brick Walls / 2B Group
Photos © Andrey Bezuglov, Yevhenii Avramenko
” kazu721010:
“Loft with Brick Walls / 2B Group
Photos © Andrey Bezuglov, Yevhenii Avramenko
” kazu721010:
“Loft with Brick Walls / 2B Group
Photos © Andrey Bezuglov, Yevhenii Avramenko
”

kazu721010:

Loft with Brick Walls / 2B Group

Photos © Andrey Bezuglov, Yevhenii Avramenko

(via macrocinematic)

utwo:
“  Northern California ‘Forest House’
© Richard Barnes
” utwo:
“  Northern California ‘Forest House’
© Richard Barnes
” utwo:
“  Northern California ‘Forest House’
© Richard Barnes
” utwo:
“  Northern California ‘Forest House’
© Richard Barnes
” utwo:
“  Northern California ‘Forest House’
© Richard Barnes
” utwo:
“  Northern California ‘Forest House’
© Richard Barnes
”

utwo:

Northern California ‘Forest House’

© Richard Barnes

(via notmybeautifulhouse)

inthenoosphere:

“invent yourself and then reinvent yourself, don’t swim in the same slough. invent yourself and then reinvent yourself and stay out of the clutches of mediocrity. invent yourself and then reinvent yourself, change your tone and shape so often that they can never categorize you. reinvigorate yourself and accept what is but only on the terms that you have invented and reinvented. be self-taught. and reinvent your life because you must; it is your life and its history and the present belong only to you.”

— Charles Bukowski, The Pleasures of the Damned

architags:
“Tomomi Kito Architects & Associates. House for 4 generations. Tokyo. Japan. photos: Satoshi Shigeta
” architags:
“Tomomi Kito Architects & Associates. House for 4 generations. Tokyo. Japan. photos: Satoshi Shigeta
” architags:
“Tomomi Kito Architects & Associates. House for 4 generations. Tokyo. Japan. photos: Satoshi Shigeta
” architags:
“Tomomi Kito Architects & Associates. House for 4 generations. Tokyo. Japan. photos: Satoshi Shigeta
” architags:
“Tomomi Kito Architects & Associates. House for 4 generations. Tokyo. Japan. photos: Satoshi Shigeta
” architags:
“Tomomi Kito Architects & Associates. House for 4 generations. Tokyo. Japan. photos: Satoshi Shigeta
” architags:
“Tomomi Kito Architects & Associates. House for 4 generations. Tokyo. Japan. photos: Satoshi Shigeta
”

architags:

Tomomi Kito Architects & Associates. House for 4 generations. Tokyo. Japan. photos: Satoshi Shigeta 

archatlas:
“  Earth Box by Equipo de Arquitectura Resolving the basic equation of materializing the desires through a limited budget, we started the process of building an architecture office. The exercise starts with the experimental process of use... archatlas:
“  Earth Box by Equipo de Arquitectura Resolving the basic equation of materializing the desires through a limited budget, we started the process of building an architecture office. The exercise starts with the experimental process of use... archatlas:
“  Earth Box by Equipo de Arquitectura Resolving the basic equation of materializing the desires through a limited budget, we started the process of building an architecture office. The exercise starts with the experimental process of use... archatlas:
“  Earth Box by Equipo de Arquitectura Resolving the basic equation of materializing the desires through a limited budget, we started the process of building an architecture office. The exercise starts with the experimental process of use... archatlas:
“  Earth Box by Equipo de Arquitectura Resolving the basic equation of materializing the desires through a limited budget, we started the process of building an architecture office. The exercise starts with the experimental process of use...

archatlas:

Earth Box by Equipo de Arquitectura

Resolving the basic equation of materializing the desires through a limited budget, we started the process of building an architecture office. The exercise starts with the experimental process of use and transformation of available and recovered materials, such as land, recycled glass and formwork wood, configuring them between two existing trees: the sneak, which is outside but framed, and the guavirá that is located in the middle of space to keep us company.

The rammed earth walls of 0.30 support the weight of the slab, which rests on 20 cm of the wall, without any anchoring or mooring, taking advantage of the structural qualities of the material. The remaining 10 cm remain outside, to hide the slab, delimiting the exterior only with the walls. All the furniture and doors are from the phenolic plates that were used in the formwork of the slab. The library is detached from the walls so that the light continues its trajectory, suspending the books and paintings, precious treasures in the office.

(via archatlas)

inthenoosphere:

“A multipotentialite is someone with many interests and creative pursuits.Multipotentialites have no “one true calling” the way specialists do. Being a multipotentialite is our destiny. We have many paths and we pursue all of them, either sequentially or simultaneously (or both).Multipotentialites thrive on learning, exploring, and mastering new skills. We are excellent at bringing disparate ideas together in creative ways. This makes us incredible innovators and problem solvers.When it comes to new interests that emerge, our insatiable curiosity leads us to absorb everything we can get our hands on. As a result, we pick up new skills fast and tend to be a wealth of information.”

— Emilie Wapnick, Puttylike

archatlas:
“Haus Müller · Fraxern by Fischer Schmieder Architekten” archatlas:
“Haus Müller · Fraxern by Fischer Schmieder Architekten” archatlas:
“Haus Müller · Fraxern by Fischer Schmieder Architekten” archatlas:
“Haus Müller · Fraxern by Fischer Schmieder Architekten” archatlas:
“Haus Müller · Fraxern by Fischer Schmieder Architekten” archatlas:
“Haus Müller · Fraxern by Fischer Schmieder Architekten” archatlas:
“Haus Müller · Fraxern by Fischer Schmieder Architekten” archatlas:
“Haus Müller · Fraxern by Fischer Schmieder Architekten” archatlas:
“Haus Müller · Fraxern by Fischer Schmieder Architekten” archatlas:
“Haus Müller · Fraxern by Fischer Schmieder Architekten”

archatlas:

Haus Müller · Fraxern by Fischer Schmieder Architekten

inthenoosphere:

“Curiosity is a new vice that has been stigmatized in turn by Christianity, by philosophy, and even by a certain conception of science. Curiosity, futility. The word, however, pleases me. To me it suggests something altogether different: it evokes “concern”; it evokes the care one takes for what exists and could exist; a readiness to find strange and singular what surrounds us; a certain relentlessness to break up our familiarities and to regard otherwise the same things; a fervor to grasp what is happening and what passes; a casualness in regard to the traditional hierarchies of the important and the essential.I dream of a new age of curiosity. We have the technical means for it; the desire is there; the things to be known are infinite; the people who can employ themselves at this task exist. Why do we suffer? From too little: from channels that are too narrow, skimpy, quasi-monopolistic, insufficient. There is no point in adopting a protectionist attitude, to prevent “bad” information from invading and suffocating the “good.” Rather, we must multiply the paths and the possibilities of coming and goings.”

— Michel Foucault, “The Masked Philosopher”

utwo:
“Dangar Island House
New South Wales, Australia
© Boutique Homes
” utwo:
“Dangar Island House
New South Wales, Australia
© Boutique Homes
” utwo:
“Dangar Island House
New South Wales, Australia
© Boutique Homes
” utwo:
“Dangar Island House
New South Wales, Australia
© Boutique Homes
” utwo:
“Dangar Island House
New South Wales, Australia
© Boutique Homes
” utwo:
“Dangar Island House
New South Wales, Australia
© Boutique Homes
”

utwo:

Dangar Island House

New South Wales, Australia

© Boutique Homes

archatlas:
“ Writer’s Shed by Matt Gibson Architecture + Design ” archatlas:
“ Writer’s Shed by Matt Gibson Architecture + Design ” archatlas:
“ Writer’s Shed by Matt Gibson Architecture + Design ” archatlas:
“ Writer’s Shed by Matt Gibson Architecture + Design ” archatlas:
“ Writer’s Shed by Matt Gibson Architecture + Design ” archatlas:
“ Writer’s Shed by Matt Gibson Architecture + Design ” archatlas:
“ Writer’s Shed by Matt Gibson Architecture + Design ”

archatlas:

Writer’s Shed by Matt Gibson Architecture + Design

robertogreco:

Buckminster Fuller (via Andy Beach):

We should do away with the absolutely specious notion that everybody has to earn a living. It is a fact today that one in ten thousand of us can make a technological breakthrough capable of supporting all the rest. The youth of today are absolutely right in recognizing this nonsense of earning a living. We keep inventing jobs because of this false idea that everybody has to be employed at some kind of drudgery because, according to Malthusian Darwinian theory he must justify his right to exist. So we have inspectors of inspectors and people making instruments for inspectors to inspect inspectors. The true business of people should be to go back to school and think about whatever it was they were thinking about before somebody came along and told them they had to earn a living.